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Komal Goswami
"KOH-mul GOH-SWAH-mee" // she/her

KOMAL GOSWAMI (b. 2001, Gainesville, FL) is a new media artist who primarily works in video, sound, 3D/CG generation, AI art, and programming. Currently based in Gainesville, FL, she makes audio, visual, and audiovisual experiences.
Goswami earned her BFA in Art + Technology with a minor in Theatre from the University of Florida (UF) in 2023, where she served as President of the Digital Arts Media Network and curated new media exhibitions such as 2G00DHOTD@MN.V4 at 4Most Gallery (Gainesville, FL) and LAiZY ((Experiments in ARTificial Intelligence)) at the Constance and Linton Grinter Gallery (Gainesville, FL). Her artwork has been exhibited at the Cade Museum for Creativity & Invention (Gainesville, FL), Gary R. Libby Focus Gallery (Gainesville, FL), 621 Gallery (Tallahassee, FL), The Art Department (Renfrewshire, Scotland), among others. Screenings include the 2nd Annual Chroma Art Film Festival at Superblue Miami (Miami, FL), the Computer Art Congress 8 at the National University of La Plata (La Plata, Argentina), the 16th Annual Digital Graffiti at Alys Beach (Panama City Beach, FL), among others. Her artwork has also been published in Labocine and Hu Magazine.
Komal Goswami's art investigates the concept of "living ON the hyphen," exploring identity, performance, and speculation between the physical and digital realms. The Hyphenverse, Goswami's long-term 3D-character-based world, is a speculative world that blurs the lines between the digital and physical realms with the employment of self-insertion and emotional abstraction to determine the "real" from the "reel." Intrigued by the expansion of new media art practices and with research interests spanning digital aesthetics, dreams, filmmaking, surrealism, theatricality, performance, metaphors, and humor often from Western media and Indian media influences, Goswami’s work reflects her fascination with the evolving landscape of human expression in an increasingly digitally assimilated world. Goswami is also in the process of writing further about her conceptual frameworks within her artistic practice and is currently the Administrative Assistant for the UF School of Art + Art History.
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